Archive for April 5, 2007

Agency VII Symposium at Maine Photographic Workshops August 4th

If you’ve not had a chance to spend a memorable day at an Agency VII symposium, here’s a chance to do so, in the US (their spring seminar is in the UK). Maine Photographic Workshops has arranged for an event to be held August 4th in Rockport, Maine. Make plans now to attend!

“This symposium will be a unique opportunity to spend an afternoon with celebrated author and photo critic Vicki Goldberg, Frank Evers, Managing Director for the VII Photo Agency and photographers Lauren Greenfield (VII), James Nachtwey (VII), Ron Haviv (VII), and Eugene Richards (VII). Also joining the panel will be photographer Samantha Appleton.

Goldberg’s book, The Power of Photography: How Photographs Change Our Lives, is a riveting account of how photographs have chronicled our social history, and how the photograph has become not only a prestigious art form, but an instrument of propaganda unsurpassed in its influence. James Nachtwey is considered one of the foremost photographers of our time. In 2001, a documentary about Nachtwey and his work was released entitled War Photographer. The film was nominated for the Academy Award for Best Documentary. Ron Haviv, a co-founder of VII, has produced some of the most important images of conflict and other Humanitarian crises that have made headlines from around the world since the end of the Cold War.

Pre-registration for this free symposium is required. Space is limited. Registration may be done online ( please note that your credit card will NOT be charged any fees at time of booking) or call the Workshops toll free 877.577.7700.”

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f295 Symposium on Lensless, Alternative and Adaptive Photographic Processes: April 26-29, Pittsburgh

“The f295 Symposium on Lensless, Alternative and Adaptive Photographic Processes is being held in Pittsburgh, PA USA 26-29 April 2007. The event brings eight contemporary ‘alternative’ photographers together to engage in discussion and debate regarding the rising use of alternative photographic methods in an age of increasingly sophisticated technological means.

This multi-day event offers lectures, round-table discussions, and hands-on workshops held in association with Pittsburgh area arts organizations. Don’t miss this unique opportunity to join fellow artists, photographers, historians, curators, enthusiasts, and others to reflect on the state of contemporary photography, the rising use of ‘alternative’ photographic techniques, and what this means for both the present and the future of the art.”

Speakers & Topics Include:
Jo Babcock: Contemporary Pinhole Photography and its Place in Photographic History
Jo Babcock’s work has been exhibited internationally, including exhibitions at the Brooklyn Museum, the San Francisco Museum of Modern Art, the Alternative Museum, the Center for the Arts at Yerba Buena Gardens, and the Sao Paulo Bienal. He is the author of The Invented Camera: Low Tech Photography and Sculpture (Freedom Voices Publications, 2005)

Craig Barber: Photography and Memory
Craig Barber is represented in several prominent museum and private collections including the Museum of Fine Arts, Houston; the Victoria and Albert Museum, London; the Brooklyn Art Museum; the George Eastman House, Rochester, NY; and Museo Nacional de Bellas Artes, Buenos Aires, Argentia, among others. In 2006 Umbrage Editions published his book, ”Ghosts in the Landscape: Vietnam Revisited.

Barbara Ess: Reality, Representation and Lo-Fi Image-Making
Barbara Ess’s work has been the subject of cover stories in Artforum and Art in America magazines. She has had one-woman shows at the High Museum of Art, Atlanta; Curt Marcus Gallery, New York; Faggionato Fine Arts, London; and Fundacion la Caixa, Barcelona, and at galleries in Madrid, Los Angeles, Paris, Antwerp, Cologne, and Washington. Her book, I Am Not This Body (Aperture 2001), was selected as one of the ten top photography books of the year by the Village Voice.

Alan Greene: Steps Leading to ‘Primitive Photography’
Alan Greene has had numerous solo and group exhibitions,and taught photography as an adjunct professor and a leader of workshops. In 1998, he began experimenting with the 1840s-era calotype process and building his own cameras and lenses. This culminated in the 2001 publication of a technical manual, Primitive Photography. He has contributed to the Encyclopedia of 19th Century Photography and the Vocabulaire technique de la photographie.

Patricia Katchur: Back to Basics: The Renaissance in Alternative and Historic Photographic Processes
Currently Patricia is the director of the Center for Alternative and Historic Processes (CFAAHP). She is also concentrating on the development of the Ebauche Foundation for the Arts. For the previous 12 years she was the driving force behind Sixty Eight Degrees black and white photo lab.

Terry King, FRPS: Retro-Invention: A Revolution in Gold and Blue
In 1982 Terry King was awarded the fellowship of the Royal Photographic Society for gum bichromate prints. As a result of the lectures he was giving, he was asked if he would design and run a yearlong workshop on alternative processes. This workshop became the basis of the revival of alternative processes in the UK. The workshops went under the title of ‘From Wedgwood to Bromoil’. A significant proportion of those now practising or teaching alternative processes have now been taught by Terry’s students or their students. In 1997 he started the Alternative Photography International Symposium which developed a pattern of meeting in alternate years in the UK and in Santa Fe in the US.

Tom Persinger: Introduction: ‘Simple’ Methods in a Complex World
Tom founded and directs f295 an international organization with more than 1,000 members interested in furthering the dialogue regarding the art of lensless photography and the craft of alternative and adaptive photographic processes. He has exhibited his work internationally and been published in Ag, Afterimage, Black and White Photography (UK), and View Camera.

Mike Robinson: The Daguerreotype: Past, Present & Perfect
Mike Robinson is the proprietor of Mike Robinson’s Century Darkroom, in Toronto, Canada. His daguerreian art is in the collections of The Portrait Gallery of Canada, The Art Gallery of Ontario, The Hallmark Fine Art Collection in Kansas City, The Snite Museum of Art at Notre Dame University, The George Eastman House International Museum of Photography and in many private collections. His work has also been reproduced in Discover Magazine, Photo Ed, and Art & Antiques Magazine. His chapter on albumen printing has been published in Coming into Focus. His research into the working methodology of Southworth & Hawes has been published in the exhibition catalogue, Young America: The Daguerreotypes of Southworth & Hawes.

Saturday Workshops:
Hands-On Daguerreotype Workshop with Mike Robinson FULL -Sunday still available!
Gum Rex with Terry King
Lensless / Alternative Photography Peer Review with Erin Malone
The Pinhole Camera with Tom Persinger
Primitive Photography: Camera and Lens Making with Alan Greene
Wet Plate Collodion Workshop with CFAAHP

Sunday Workshops: (various times see each for details)
Cyanotype Rex with Terry King
Hands-On Daguerreotype Workshop with Mike Robinson
On Location: Pittsburgh without a Lens with TBA
Pinhole Photography Workshop with George Kollar

Participating Organizations Include:
The Center for Arts in Society at Carnegie Mellon University
Center for Alternative and Historical Processes
The Daguerreian Society
The Mattress Factory
Pittsburgh Filmmakers
Silver Eye Center for Photography
Society for Contemporary Craft

Exhibitions:
The Craft of the Camera
Daguerreotypes Past and Present
In Blue: Photograms by Sue Abramson
f295 Exhibition of Lensless and Alternative Photography

View the schedule of events here.

View registration information here.

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NYAS Conference “Biology and Art: Two Worlds or One?” April 14 in NYC

On April 14th, The New York Academy of Sciences is hosting a conference called “Biology and Art: Two Worlds or One?” at its new location in lower Manhattan.

This conference will explore the nature of the science-art interface, the inspiration this interface provides to scientists and artists alike, and the impact of these interactions on art, research, and other human endeavors. More specifically, the conference will focus on how biological objects-whether viruses, animals, plants, cells, or organelles-become an inspiration for certain artists’ work, and how scientists-ever so particular about accuracy and specificity-respond to such artistic representations.

The Belgian conceptual artist Wim Delvoye, creator of the Cloaca Project, will give the keynote lecture. The rest of the day will be organized as a series of four conversations between artists and scientists. For each conversation, an artist will appear with a scientist who works with the biological objects that inspire that artist. Short talks and extensive discussions will provide a forum where ideas generated in these two very different spheres of creative endeavors-science and art-are expressed, elaborated and deliberated.

Preliminary Program
8:00 AM – 8:45 AM – - Registration

8:45 AM – 9:00 AM – Welcome & Meeting Overview
Ellis Rubinstein, President, The New York Academy of Sciences
William A. Haseltine, President, The William A. Haseltine Foundation for Medical Sciences and the Arts

9:00 AM – 10:00 AM – - Keynote Address
Wim Delvoye (Belgium, Artist)

10:00 AM – 10:30 AM – - Coffee Break

10:30 AM – 11:45 AM – - Session I: Structural Biology
Mara G. Haseltine (New York, Sculptor)
Wayne A. Hendrickson, PhD (Columbia University, Biophysicist)

11:45 AM – 12:45 PM – - Session II: Microbes
Laura Splan (MFA Sculpture; Member, Art Science Collaboration)
Rendering the Invisible
Jonathan A. King, PhD (Massachusetts Institute of Technology, Biologist)
Visual Representation and Biological Structure

1:00 PM – 2:00 PM – - Lunch

2:00 PM – 3:15 PM – - Session III: Locomotion
Theo Jansen (Holland, Artist, Kinetic-Sculptor & Scientist)
BeachBeast
Andrew A. Biewener, PhD, (Harvard University Concord Field Station)

3:15 PM – 3:45 PM – - Coffee Break

3:45 PM – 5:00 PM – - Session IV: TBD
Michael Joaquin Grey (BS Genetics, MFA Sculpture)
Gabriel Robles-De-La-Torre, PhD (Neuroscientist and Founder, International Society for Haptics)
Touching Illusory Objects: Sculpting Human Perception through Virtual Reality

5:00 PM – 5:30 PM – - Concluding Remarks

5:30 PM – 7:00 PM – - Reception & Exchange

Apr 14, 2007 8:00 AM – 7:00 PM
At the New York Academy of Sciences
New Location:
7 World Trade Center
250 Greenwich Street, 40th floor
New York, NY 10007-2157
212.298.8600

Click here for links to artist presenters & Registration Information.

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“Image & Identity: Culture Behind Clothes” Submissions due 5/1/07

The International Museum of Women has announced the next deadline for their on-line series “Imaging Ourselves: Global Voices from a new Generation of Women.”

“Imagining Ourselves launched with a published anthology and an online exhibit on International Women’s Day, March 8, 2006. The project received great acclaim and widespread media attention around the globe, from articles in Bombay’s TimeOut Magazine to television coverage in Tijuana and numerous reports in the San Francisco media. Since then, we have reached out to a new generation of women on every continent, in four languages and through more than 100 global events and gatherings on the ground in over twenty-five countries. After the successful launch in March, 2006 we are extending the project until September, 2007 and will continue to explore different themes. We are looking for submissions from young women in every corner of the globe. If you have a story to tell, images to share, or a voice that wants to be heard, we welcome your submission. We accept film, audio, images and text. Tell us what defines your generation of women. We look forward to hearing from you!”

Click here to view submission guidelines.

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Volunteer Lawyers for the Arts in NYC offers Seminar for Arts Professionals on April 21, 2007

Volunteer Lawyers for the Arts’ NYC Chapter is offering a seminar called “VLA Legal and Business Boot Camp for Arts Professionals” on Saturday, April 21st, from 10:00 a.m. – 6:00 p.m.

VLA Legal and Business Bootcamp for Arts Professionals™ is a comprehensive program about the legal and business issues that affect individual artists and individuals within organizations and cultural institutions. This program is for professionals within organizations, individual artists, and art students at all stages of profesional development. Lawyers and other professionals who represent arts professionals will also benefit from the course. Launched in 2005 with over forty-five co-sponsors, this project is supported, in part, with a grant from the National Endowment for the Arts. The program was offered five times last year in DC, NYC, LA and Vermont to sold-out audiences who gave it rave reviews.

This course is for art students, individual artists and individuals in arts or cultural institutions. Law students, attorneys and other professionals who represent artists may also benefit from this event.

To view the agenda for the day, click here.

New York, NY
Saturday, April 21, 2007
Hosted by Fried, Frank, Harris, Shriver & Jacobson LLP.
One New York Plaza
New York, NY 10004

To register for this event, click here.

National Dates to be announced.

This original program was developed by VLA with the support of the National Endowment for the Arts.

For more information and to register for the Boot Camp, please visit www.vlany.org/bootcamp

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