Archive for MUST SEE

June 12: An evening with David Hillard 8pm at CPW

From The Center for Photography Woodstock website:

DAVID HILLIARD creates multi-paneled color photographs, often based on his life or the lives of people around him. His panoramas allow the artist to direct the viewer’s gaze across the image surface letting narrative and time unfold. David received his BFA from the Massachusetts College of Art in 1992 and his MFA from Yale University in 1994. He worked for many years as an assistant professor at Yale University where he alsos directed the undergraduate photography department. Additionally, he has taught at Harvard University, the School of the Museum of Fine Arts in Boston and was the director of the photography department at Cranbrook Art Academy in Michigan during the 2007/2008 academic year. Currently, he is an assistant professor at the Massachusetts College of Art & Design. Hilliard exhibits his photographs both nationally and internationally and has won numerous awards including a Fulbright Fellowship and a Guggenheim Fellowship. He is represented by Carroll and Sons Gallery in Boston, Yancey Richardson Gallery in New York, Jackson Fine Art in Atlanta and the Mark Moore Gallery in Santa Monica.  In 2005 a collection of his photographs was published in a monograph by Aperture. For more information please visit www.davidhilliard.com

Public Lecture will take place on June 12th at 8 pm at the Center for Photography at Woodstock.

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June 12: Project 5 Special Reception and Fundraiser JD Gallery Venice

From a P5 mailer:

“Special Reception and Fundraiser for Project 5!

When: Saturday, June 12th, 2010 7-10p.m.

Where: The Julia Dean Gallery at 801 Ocean Front Walk, Venice CA 90291

Project 5 spans five years, over which five photography auctions will be held to fund five socially concerned pohtographic projects, each documented by a team of talented photojournalists.

The first (silent) auction was held at the Stephen Cohen Gallery on Feb. 20, 2010. On the walls hung 108 photographs reflecting 108 talented photographers. It was a wonderful night and we raised enough money to conclude the child labor project (the first of five in Project 5).  At the end of the night, there were 36 outstanding photographs remaining. These 36 prints will be hanging at our special reception. ALL FRAMED PRINTS WILL BE $300 OR LESS! (You can take your print home that night.) Our goal is to raise money toward year 2 of Project 5. For more information: http://Photo4Change.org

-June 12th is also World Day Agaist Child Labor. Ending child labor is the topic of P5′s first documentary project.

- There will be an additional reception and exhibit opening in our second gallery, featuring work by participants on the Buenos Aires/Uruguay travel workshop.”

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June 4th: Michael Kenna and Julie Anand Lecture at SFAI

From the PhotoAlliance website:

“Date:

June 4, 2010

Time:
7:30 pm
Location:
San Francisco Art Institute Lecture Hall 800 Chestnut Street San Francisco, Ca (at Jones Street)
Ticket Information:
$10.00 general admission $5.00 students with ID— TICKETS AVAILABLE AT THE DOOR
Over the past 30 years Michael Kenna has forged a well-earned reputation as one of the foremost landscape photographers of his generation, creating ethereal and enigmatic interpretations of man made environments within the natural landscape.
Julie Anand works in collaboration with Damon Sauer.

Julie Anand is currently Assistant Professor of Photography at Arizona State University. Damon Sauer teaches as Adjunct Faculty at Glendale Community College in Glendale AZ and recently served as a Visiting Assistant Professor of Photography at Herron School of Art and Design, IUPUI in Indianapolis. Both artists investigate ideas through a diversity of photographic media and technologies. Anand and Sauer received their MFA degrees in photography from the University of New Mexico and began collaborating with one another in 2005.”

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Through the Lens: Creating Santa Fe full length interviews available to watch!

From a Through the Lens e-blast:

“Links to the full-length interviews from Through the Lens are posted individually to each web-length interview on the following website:

http://www.palaceofthegovernors.org/lens/videos.php

Through the Lens: Creating Santa Fe is a visual history of Santa Fe, New Mexico — as it celebrates its 400th anniversary as the oldest capital city in North America. These images, selected from the collection of the Photo Archives at the Palace of the Governors and through studio visits with contemporary photographers, illuminate the multiple meanings of place.

Through the Lens: Creating Santa Fe is a visual record of transformation. The exhibition is divided into three broad and overlapping themes: Place, Identity, and History. While some of the photographs provide a broad perspective on cultural and social transformation, the exhibition also contains photographs that reveal a more intimate side of the city’s history.”

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May 20th: David Maisel Lecture at The Annenberg Space for Photography in LA

From the Annenberg Space for Photography website:

“David Maisel:
“Black Maps”
Registration for this event will go live Wednesday, May 12, 12pm PT and Thursday, May 13, 9:30am PT.

David MaiselFor more than twenty years, David Maisel has been making aerial photographs of sites of environmental impact. This extended series, called Black Maps, shows the undoing of the natural world by wide-scaled human intervention in the landscape. His images of zones where the natural order has been eradicated are both spectacular and horrifying. Although Maisel’s photographs evidence the devastation of these locations, they also transcribe interior, psychic landscapes—for, as otherworldly and surreal as these images appear, they depict shattered realities of our own making. The forms of environmental disquiet and degradation function on a metaphorical level, and the aerial perspective enables one to experience the landscape like a vast map of its undoing. Black Maps has unfolded in chapters, focusing on such subjects as strip-mines, clear-cuts, leaching fields, tailings ponds, and firestorms. The Lake Project (2001-2003) is comprised of images made in the vicinity of Owens Lake in California, which was drained and depleted to bring water to the desert city of Los Angeles, and which became an enormous environmental disaster in this process. Terminal Mirage (2003-2005) uses aerial images made at the site of the Great Salt Lake as a means to explore both abstraction and, as the curator Anne Tucker has written about this series, “the disturbingly engaging duality between beauty and repulsion.”

David Maisel was born in New York City in 1961. He received his BA from Princeton University and his MFA from California College of the Arts, in addition to study at the Graduate School of Design at Harvard University. He was a 2007 Visiting Scholar at the Getty Research Institute, and a 2008 Artist in Residence at the Headlands Center for the Arts. Maisel is represented in the permanent collections of the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Brooklyn Museum of Art, and others. His monograph The Lake Project (Nazraeli Press, 2004), was selected as one of the Top 25 Photography Books of 2004 by the critic Vince Aletti. His second monograph, Oblivion (Nazraeli Press, 2006), depicts tonally-reversed black and white aerial views of Los Angeles.”

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May 15th: Adriana Groisman gives an artist talk at the Pregones Theater in NY

Presented by Enfoco’s touring gallery program, on Saturday May 15th, Adriana Groisman will give an artist talk at 1 pm at the Pregones Theater in NY. She will talk about the project she has been working on for 15 years, taking photographs of Argentinian tango dancers titled Tango Never Before Midnight.

The artist talk is in conjunction with her current exhibition at the Pregones Theater, including 12 of her images from the Tango Never Before Midnight series. This exhibition runs from May 1-June 21st.

From the Enfoco website:

“Tango, Never Before Midnight, is a work which records the world of the milongas –traditional Argentinean tango balls– and their patrons, the milongueros. Each night at the milonga is a dramatic cycle in itself, an erotically charged arena where issues of power and gender are played out. Fleeting relationships, alliances, rivalries, jealousies and games of seduction occur, leading to the encounters on the dance floor. These negotiations are carried out through furtive glances and minute gestures, parts of a ritual that can go completely unnoticed by outsiders.

Milongueros tend to speak very little; even if they have been dancing with each other for years they never ask each other’s last names, addresses or professions. This is one of the unspoken rules of the “real” milongueros. Another implicit rule is that the invitation to dance is never verbal. Rather, this is done through a complex series of interlocking gazes and body attitudes.

At the milonga, a great social equalizer, class, age and physical appearance recede. The dancing is what counts, the body connection, the feeling for the music.”

This exhibition of En Foco’s 2009-2010 Touring Gallery program is supported in part by the New York State Council on the Arts, the New York City Department of Cultural Affairs, Canson Infinity, Senator José M. Serrano/Legislative Initiative Grant, Bronx Council on the Arts, Archival Methods, Loupe Digital Studio, members and friends.

To view an interview on NBC featuring Adriana Groisman and The Executive Director of Enfoco Miriam Romez speaking about the exhibition and the artist talk, click here.

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May 15th: Panel Discussion for Wynn Bullock: A Visionary Photographer Revisited at CPA

From the Center for Photographic Art website:

“Wynn Bullock: Color Light Abstractions
National Premiere of the Traveling Exhibit

May 15 through June 26, 2010
Opening Reception: May 15, 2010 4-6 pm

Wynn Bullock
Color Light Abstraction 1071, 1960
©1960/2010 Bullock Family Photography LLC. All Rights Reserved.

Panel Discussion: Wynn Bullock: A Visionary Photographer Revisited
Saturday, May 15, 2-4 pm, Carpenter Hall, Sunset Center

Moderated by Curator Michael Spencer with A. D. Coleman, Photographic Historian, New York; Richard Gadd, Executive Director of The Weston Gallery, Carmel; Chris Johnson, Professor of Photography, California College of the Arts; Dr. Britt Salvesen, Head of Photography at Los Angeles County Museum of Art; and Dr. Karen Sinsheimer, Curator of Photography at Santa Barbara Museum of Art.

Mid-twentieth century master photographer, Wynn Bullock, is best known for his evocative black and white images. Early in the 1960’s, Bullock began creating color photographs of light. Hampered by the limitations of color printing at that time, he was unable to make stable, exhibit-quality prints of these abstract images before his death. This is the first solo exhibit of the high-quality archival prints that have been produced from Bullock’s original slides, using the superior color reproduction processes available today.

A new 96-page monograph is being released to accompany the exhibition containing full page color reproductions of the exhibit prints. Edited by Bullock’s daughter Barbara Bullock-Wilson, designed by Bert Ihlenfeld, and printed by Dual Graphics, it is the first major publication devoted to Bullock’s abstract color imagery. Barbara Bullock-Wilson will be available to inscribe the catalogue for collectors at the opening reception.”

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May 7th: Fellowship Artist Talks & Exhibition Tour with Juror Brian Paul Clamp at HCP

From the Houston Center for Photography website:

© Scott Dalton

© Matt Eich

Fellowship Artist Talks and Exhibition Tour
Brian Paul Clamp, juror, in conversation with HCP Fellowship recipient Matt Eich and Carol Crow Fellowship recipient Scott Dalton
Friday, May 7, 2010
at 5:30 p.m.

Free and Open to the Public

Join HCP before the opening reception on Friday May 7 for an exhibition tour and conversation with the 2010 Fellowship juror, Brian Paul Clamp, and the 2010 Fellowship recipients Scott Dalton and Matt Eich.

Scott Dalton‘s work explores the people and places that inspired Gabriel García Márquez´s 1967 book One Hundred Years of Solitude, Dalton has created a body of work that represents the essence of Macondo, the fictional town in which the book is set.

Carry Me Ohio is Matt Eich´s exploration of the lives of residents in Southeastern Ohio. In an area left depressed and impoverished by the boom and subsequent bust of the industries of coal, salt, clay, and timber, the people live with a poverty rate of 27.4% and some $14,000 under the national average income.

Brian Paul Clamp is the owner and director of ClampArt, a gallery in Chelsea in New York City specializing in modern and contemporary art with an emphasis on photography. ClampArt mounts ten to fifteen exhibitions per year featuring the work of emerging and mid-career artists. Mr. Clamp opened the gallery in 2000 after completing a Master of Arts degree in Critical Studies in Modern Art at Columbia University. For eight years prior to that Mr. Clamp served as the director of a gallery on Manhattan’s Upper East Side specializing in late 19th- and early 20th-century American paintings. Aside from exhibitions at his own gallery space, Clamp has curated numerous photography shows at various venues throughout the United States, and has reviewed photographers’ portfolios on dozens of panels over the past several years. Mr. Clamp is the author of numerous publications on American art to date, and also occasionally contributes written work to various art periodicals.

1441 West Alabama Houston, TX 77006″

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May 6th: Opening Reception, May 8th: Jennifer Karady and Christopher Sims Artist Talk at SF Camerawork

From the SF Camerawork website:

“Thursday, May 6, 2010:

FIRST THURSDAY OPENING RECEPTION

Image by Jennifer Karady

Join us for First Thursday as we stay open late for the public opening of our new exhibitions! Stop by after work, have a glass of wine, and check out the art in three new shows: Jennifer Karady, In Country: Soldiers’ Stories from Iraq and Afghanistan; Christopher Sims: The 2010 Baum Award for Emerging American Photographers; and Roll Call: An SF Camerawork Members’ Exhibition.

5 – 8 pm

Saturday, May 8, 2010:

ARTIST TALK WITH JENNIFER KARADY AND CHRISTOPHER SIMS

Image by Christopher Sims

Join us at Camerawork for a special presentation with artists Jennifer Karady and Christopher Sims as they talk about their work on view in the gallery. With subjects residing on the opposite ends of combat, both artists visually depict aspects of the current wars in which the United States is engaged. Featuring Jennifer Karady’s inaugural exhibition of staged narrative portraiture, and the work of Christopher Sims, the 2010 recipient of  The Baum Award for Emerging American Photographers, the combination of these two bodies of work in one location provides a looking glass into an America most have never seen before. Admission is free to the public!

1 pm

657 Mission Street, 2nd Floor, San Francisco, CA 94105″

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On NPR this morning: Art exhibitions at the San Francisco Airport!

I travel by air frequently.  Some of my favorite exhibitions have been on view at airports, and my lectures are always populated with art I have recently seen in airports as an example of venues with a large viewing audience. Among them, San Francisco International Airport (SFO) stands out as one of the best.

This morning NPR featured a wonderful story on art in the airport. I love the fact that they have an educational program in conjunction with their exhibitions, offering a downloadable PDF; check out this one which accompanies the “Woven Legacies” exhibition.

Here is the link to the story on NPR’s Morning Edition today.

Here is the “ABOUT” section of the SFOarts.org website:

“In 1980 the San Francisco Airport Commission entered into a collaboration with the Fine Arts Museums of San Francisco to create a museum program at the San Francisco International Airport. After a successful first year, a department (now San Francisco Airport Museums) was established to create exhibitions that would humanize the Airport environment and create an ambience in the Airport that reflects the sophistication and cultural diversity of the City and County of San Francisco and the entire Bay Area.

Over the years, this program has grown from modest beginnings in North Terminal (now Terminal 3) to an extensive museum within the Airport. Today, the San Francisco Airport Museums features approximately twenty galleries throughout the Airport terminalsdisplaying a rotating schedule of art, history, science, and cultural exhibitions, as well as the San Francisco Airport Commission Aviation Library and Louis A. Turpen Aviation Museum, a permanent collection dedicated to the history of commercial aviation.

San Francisco Airport Museums is the first of its kind in the United States of America and is now a widely imitated model for museums operating in public arenas. In 1999, San Francisco Airport Museums became the first museum in an airport to receive accreditation from the American Association of Museums.

Unlike most public arts programs, this program is never static. Exhibitions change throughout the year in an effort to provide an educational and cultural experience for the nearly 30 million passengers who use the Airport annually. Over the years, the Airport’s audience surveys reveal that the exhibitions program ranks high in the top five services that the Airport offers to passengers. The San Francisco Airport Museums has become an integral part of the San Francisco International Airport. Each exhibition is curated specifically for the Airport by a staff of museum professionals who are Airport employees. The exhibitions are an established Airport tradition that attracts visitors from throughout the world.”

In the past, one of the SFO Curators has participated as a Reviewer in the “Our World” event each spring, sponsored by PhotoAlliance.

Do you know the curator at your local airport?  Are they on your mailing list?   They should be!

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