Archive for July, 2010

July 13: Dave Anderson and Paul Moakley in Conversation at Aperture Gallery

From the Aperture Foundation e-blast:

“Dave Anderson and Paul Moakley
in Conversation

On the occasion of the fifth anniversary of Hurricane Katrina, Dave Anderson’s book and exhibition One Block: A New Orleans Neighborhood Rebuilds provides a powerful portrait of post-Katrina as seen through the prism of a single block whose residents are attempting to rebuild their homes. Join photographer Dave Anderson andTime Magazine Deputy Photo Editor Paul Moakley in conversation on the occasion of the opening of the exhibition and release of the monograph.

Dave Anderson + Paul Moakley in Conversation
Tuesday, July 13th, 6:30 pm

Aperture Gallery
547 West 27th Street, 4th floor
(between 10th and 11th Avenue)
New York, NY
(212) 505-5555
www.aperture.org

Dave Anderson: One Block
Opening Reception:
Thursday, July 15, 6:00 pm

Exhibition on view:
Thursday, July 15, 2010 –Friday, August 20, 2010

ClampArt
521-531 West 25 th Street
Ground Floor
New York, New York
(646) 230-0020

View event details

View exhibition details

View related book

View Aperture’s website

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Deadline July 31st: En Foco “New Works” Fellowship

From En Foco’s website:

En Foco’s New Works Photography Fellowship Awards is an annual program selecting three or more U.S. based photographers of Latino, African or Asian heritage, and Native Peoples of the Americas and Pacific, through a national call for entries.

NEW WORKS #14 DEADLINE: July 31, 2010

JUROR: Andy Adams, Editor/Publisher, Flak Photo

“We are happy to announce that the submission process for New Works #14 (2010-2011) has moved online, to CallForEntry.org.

New Works helps artists to create or complete an in-depth photographic series exploring themes of their choice, and provides the infrastructure needed for national visibility and a professional exhibition of their new work in the New York area.

Submissions can be in any photo-based style or genre (documentary, autobiographical, landscape, abstract, digital, pinhole, alternative processes, etc).

Have questions about submitting work? Check our Submissions page (scroll down for “New Works” specific tips.”

While the product awarded varies from year to year, New Works fellows usually receive:

a $1,000 honorarium ($100 for Honorable Mentions) plus materials stipend;
product gift certificates from Canson Infinity;
professional tripods from Bogen;
camera bags from Lowepro;
a feature article in Nueva Luz;
an exhibition in New York;
a photographer’s page on enfoco.org;
a one-year En Foco membership ($100 value)

Read about prior New Works exhibitions:

New Works #13 (2009-2010)

New Works #12 (2008-2009)

New Works #11 (2007-2008)

New Works #10 (2006-2007)

New Works #9 (2005-2006)

New Works #8 (2004-2005)

New Works #7 (2003-2004)

New Works #6 (2002-2003)”

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Deadline July 25th: Critical Mass 2010 Competition

From the PhotoLucida website:

Critical Mass images

CM08 book award winners Andy Freeberg, Céline Clanet, and Priya Kambli — books now published!

“Critical Mass 2010 is now open for registration!

Deadline to enter work is July 25. Please read page in full for information, and click on the link below to register.

Click here to see the list of jurors.
Click here to register!

What Is Critical Mass?

The aim of Critical Mass, and all Photolucida programming, is to provide participants with career-building opportunities and to promote the best emerging and mid-career artists working today.

Critical Mass is a program about exposure and community. The idea is simple—photographers (from anywhere) submit a 10 image portfolio for $75. This work then gets pre-screened by a committee of approximately 20 great jurors and from there, 175 top Finalists are determined. These top Finalists then pay an additional submission fee ($200) and their work goes on to a jury of approximately 200 of the world’s best curators, editors, and other professionals who have agreed to view and vote on these Finalists. From these votes, at least one photographer is chosen to receive a book award and once the monograph is published, everyone who enters and reviews will receive a copy of the book(s).

We are pleased to continue to give scholarships to pre-selected photographers by geographical region. In previous years, Photolucida gave scholarships to photographers from Poland, Mexico, and Italy. This year, the lucky country is The Netherlands!

What to expect?

As an entrant to Critical Mass, you shouldn’t necessarily expect feedback from the jurors unless they want to contact you about doing something with your work. Jurors are given the opportunity and encouraged to provide written feedback, but we can’t guarantee anything other than:

  • Everyone who enters will receive a copy of the Book Award Winner’s monograph(s).
  • Everyone who enters will receive a CD containing all of the submitted work.
  • Everyone who enters will have their work seen, and voted on, by the Pre-Screening committee.
  • Those who continue on in the top 175 Finalists will have their work seen, and voted on, by over 200 jurors.

Click here for Critical Mass Success Stories.

Book Awards!

Photolucida will publish a monograph for at least one photographer from among the top-scoring finalists. The book award is reserved for artists without a previously published monograph. Photographers with self-published books are still eligible for the book award. If you already have a monograph, you still have over 200 great reasons to participate in Critical Mass!

CM 2009 Winners – Alejandro Cartagena, Birthe Pointek (in production)
CM 2008 Winners – Andy Freeberg, Céline Clanet, Priya Kambli
CM 2007 Winners – Joni Sternbach, Peter van Agtmael
CM 2006 Winners – Camille Seaman, Donald Weber, Amy Stein
CM 2005 Winners – Hiroshi Watanabe, Louie Palu, Sage Sohier
Click here to see!

Other Awards!

This year, in addition to the book award, Photolucida is pleased to partner with Blue Sky in offering a solo show to one of the Critical Mass Finalists. Founded in 1975 as the Oregon Center for the Photographic Arts, Blue Sky is one of the leading venues exhibiting contemporary photography in the United States.

Also this year, Photolucida is partnering with Newspace Center for Photography to produce a Critical Mass Top 50 Exhibit. Newspace is a non-profit organization dedicated to promoting photographic education, with a wonderful exhibition space.

Both exhibits will take place in April 2011, coinciding with Photolucida’s Reviews.

Also, in conjunction with photo-eye, three of the Top 50 photographers will receive complimentary VisualServer websites and portfolios on photo-eye’s Photographer’s Showcase for one year.

Photolucida will also award five free spots in our April 2011 Portfolio Reviews! These awards will go to five randomly selected photographers in the Finalist group. For more information on our quick-to-sell-out biennial event, click here!

Procedure

Critical Mass has a two-part submission process.

  1. First you pay a $75 registration fee to upload your images and text. We will then format your work and distribute the pages to the pre-screeners for scoring. The 2010 Pre-Screening committee comprises the following people (as of June 30):
    • Leslie K. Brown, Independent Curator
    • Crista Dix, Director, wall space Gallery
    • Melanie Flood, Melanie Flood Projects/Portland Art Museum Photo Council
    • Cherie Hiser, Photoludica Board
    • Stu Levy, Photoludica Board/Portland Art Museum Photo Council
    • Kate Menconeri, Independent Curator
    • Laura Moya, Director, Photolucida
    • Claire Annette Mussard, Curator/Consultant
    • Ruben Natal-San Miguel, Collector
    • Shawn Records, Photolucida Board
    • P. Elaine Sharpe, Independent Curator
    • George Slade, Curator/Program Manager, Photographic Resource Center
    • Anna Sortun, Photolucida Board
    • Paula Tognarelli, Executive Director, Griffin Museum for Photography
    • Laura Valenti, Program Director, Newspace Center for Photography
    • Bryan Wolf, Photolucida Board

    The final list will be available in mid-July.

  2. If you are one of the top 175 photographers chosen by the pre-screeners, then you will pay an additional $200 fee and your work will be sent out to the full panel of over 200 jurors.

200 Jurors!

Like last year, this is a truly international group of jurors representing a wide variety of photographic interests.The full list of jurors will be available shortly – we have made a great effort to represent the range of professional affiliation (gallery owners, curators, publishers, editors, etc.). In addition to seeing the work during the online process, jurors will also be sent a CD of the Finalists’ work, which serves as a good reference tool in a multitude of ways.

Note: Critical Mass jurors are not allowed to submit their own work to Critical Mass.”

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July 21st in Minneapolis: Marketing Lecture By Mary Virginia Swanson, Open to the Public

Here are the details for my upcoming lecture in Minneapolis (note: there has been a change to a larger venue ):

DATE: WEDNESDAY, July 21st  7:00 pm (doors open at 6:15)  FREE and OPEN TO THE PUBLIC

Reservations are required to ensure space; please email cmullins@aii.edu with “MVS TALK” in the subject line to reserve seats.

LOCATION: The Art Institutes International Minnesota’s Pence Building Campus,  800 Hennepin Avenue South at 8th Street, downtown Minneapolis.

From the press release:

“BEYOND PRINT: Creative Communication in the Digital Era”

Developing new audiences across the world has never been easier for artists, or more affordable.   To communicate effectively, artists must consider who their target audience is, “where” they are (both geographically and within the digital environment), and how to best communicate to them.  As artists transition from primarily print pieces into websites and e-communication, can their brand graphics continue to be effective?  What aspects and elements of their self-promotion can seamlessly migrate to the web and into social networks? What artist statements and other text components will need to be altered in style or length to generate interest in the artist’s work?   Mary Virginia Swanson will discuss identifying your audience, the need to communicate in the “space” they live online, and in the most suitable language.  Examples of effective print pieces, websites, emails and social network pages will be shared to underscore the value of brand continuity and clarity.
This lecture is sponsored by Art Institutes International Minnesota with co-sponsorship of the Photography Program and Photo Club.”

I hope to see many of you in Minneapolis later this month!!

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Deadline July 13th: Low Tech Call for Entries at The Center for Fine Art Photography in Colorado

C4FAP logo
Low-Tech
Juror: Christa Dix, Founder and Director of wall space gallery
Submission Deadline: July 13, 2010

From the Center for Fine Art Photography website:
banner

Specimen 5 © Galina Kurlat, Print from Ambrotype

THEME:


Low-Tech

The Center is currently celebrating the low-tech processes and is interested in exhibiting the best low-tech images that photographers are producing. This call is open to all subjects and styles of photography that include a low tech means of image making or printing. This includes, but is not limited to; toy, Holga and Diana cameras, Pinhole, Wet Plate Collodian, Photograms, Callotypes, Cyanotypes, Polaroid and other traditional processes.

JUROR:


Crista Dix

Crista Dix is the Founder and Director of wall space gallery in Seattle and Santa Barbara. Starting in this creative field as a photographer, collector and lover of the visual image, Crista decided to put down her camera and utilize her years of business management to help promote photographers and photography. With a background in science, business and creative arts, she has created a gallery space that celebrates artists’ vision. She has been a member of numerous panels and discussions, juried creative competitions and has participated in major portfolio reviews across the country.

EXHIBITION AND AWARDS:


With selection for this exhibition, featured artist’s work will be seen by an international audience of collectors, curators, art consultants and other advocates of fine art photography. Each participant will be included in the Center’s Main Gallery exhibition and Online Gallery exhibition.

liveBooks Website Award: Valued at $399 each, two artists will receive a one year subscription for a website from liveBooks.com

Juror’s Selection Award: $300 and a Blurb book award from Blurb.com

Director’s Selection Award: $200 and a Blurb book award from Blurb.com

Honorable Mention Award: $100

All exhibitors are included in the Center’s online gallery


Eligibility: The exhibition is open to all photographers world wide, both amateur and professional. The Center invites photographers working in all mediums, styles and schools of thought to participate in its exhibitions.

Exhibit Prints: All accepted images submitted for exhibition must be printed and framed or mounted professionally. The Center recognizes that some work is non traditional and incorporates the framing as an integral part of the presentation. To encourage participation by photographers from around the world, the Center offers optional economical printing and framing services. Additional details will be provided upon request.

IMPORTANT DATES:

Entries due: July 13, 2010

Notice of acceptance: July 23, 2010

Exhibition dates: Oct 1 – 30, 2010

Public / Artists’ Reception: Oct 1 from 6-9pm


ENTRY FEE:

Members: $20 for the first five images.

Non-Members: $35 for the first five images.

Additional images may be submitted for $10 each. There is no limit to the number of images that may be submitted.

Applicants signing up for membership at the time they submit their work for jurying may become a member and meet the entry fee for a total of $77.00 USD.



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July 13: Robert Dawson Lecture “Empire of Thirst” in San Francisco; one of three exhibitions on view at SFPL

Three exhibitions are on view at the San Francisco Public Library:

EMPIRE OF THIRST: Robert Dawson’s Photographs of Water in the West

CALIFORNIA DELTA: Rural Charms and Natural Beauty by Rich Turner  (opens July 10)

and

HAND BOOKBINDERS of CALIFORNIA: 38th Anniversary Exhibition

In conjunction with his solo exhibition “Empire of Thirst: Robert Dawson’s Photographs of Water in the West” which continues through August 1st in the Jewett Gallery at the the San Francisco Public Library, Robert Dawson will give an Artist’s Talk. Details as follows:

TUESDAY, July 13th, 6:30 p.m.  at the Koret Auditorium; 100 Larkin Street at Grove

From the Library’s webpage for this exhibition:

“In numerous projects over the past 30 years documenting the west, photographer Robert Dawson has found inspiration in water. He sees water as the most compelling metaphor and prescient symbol for the attitudes that have shaped the landscape of the American West. The San Francisco Public Library is hosting a special exhibition this summer that combines images from several of Dawson’s photography projects in Empire of Thirst – Robert Dawson’s Photographs of Water in the West, in the Jewett Gallery, Main Library, on view June 26 through Aug. 1.

The full range of our nation’s regard for the natural world has manifested itself in western water history. Dawson’s photography examines these cultural values and attitudes—from loving stewardship and respect to outrageous abuse and plunder—that have brought us to this critical point with the natural world. While the water crisis is global, Dawson has chosen to focus on the American West. It is here that the impact of rapid development of arid lands is immediately visible for all to see.

“Growing up in California I was always aware of the importance of water. I can still remember the panic of my parents in 1956 when California’s intricate levee system almost broke after an enormous rain and threatened to flood all of Sacramento. The urgency of our six-year drought in the 1980s focused my thinking about water in the West,” explains Dawson.

Included in the exhibition are both color and black and white photographs that address the issue of water. Some of Dawson’s work looks at our culture’s desire to possess, control and shape the land and water to our needs, other photographs document the misuse of water and still others examine a complex, evolving relationship to water that Dawson hopes to influence with his work.

The exhibition draws from five separate photographic projects including The Great Central Valley Project which examines California’s agricultural heartland and the reshaping of that intensively farmed valley. The Water in the West Project looks at attitudes toward agriculture, mining, resource development, recreation, Native Americans, growth and environmental controversy. The Truckee River-Pyramid Lake Project explores one western water system and the conflict over its water by the Paiute Indians, the ranchers of western Nevada and the city of Reno. The Farewell, Promised Land Project examines California’s environment and its history. The fifth project is the result of his recent work as the first Photographer-in-Residence for the City of San Jose’s Cultural Affairs Office and its Environmental Services Department. He has been photographing the city’s wastewater treatment facility, examining how our culture deals with wastewater.

As Dawson explains, “…photography has taken me through several projects on various subjects. But I always seem to find water wherever my work takes me. Throughout this journey I have always tried to stay close to the essential nature of water. Water is life and for me a never-ending source of inspiration.”

A related exhibit, California Delta: Rural Charms and Natural Beauty – Photos by Rich Turner, will be on view July 10 through October 7, in the Wallace Stegner Environmental Center at the Main Library. Turner’s photographs, in both color and black and white, memorialize the diversity of the Delta region in all its breathtaking beauty.

Related exhibition opening July 10th:

“California Delta: Rural Charms and Natural Beauty”  Photographs by Rich Turner, on view in the Wallace Stegner Environmental Center, Main Library, 5th Floor

And last but not least:

HAND BOOKBINDERS of CALIFORNIA: 38th Anniversary Exhibition

“The Hand Bookbinders of California celebrate their 38th Annual Members’ Exhibition at the San Francisco Public Library. The exhibition features the work of professional bookbinders, amateurs and students of the art and craft of hand bookbinding. Examples range from finely gold-tooled leather bindings to avant-garde artists’ books, and innovative designs from the traditional to contemporary.

The Art of Hand Bookbinding: special tours by members of the Hand Bookbinders of California on the following Thursday mornings at 11a.m., July 8 and 22, and August 12. In the Skylight Gallery.”


All programs at the Library are free and open to the public; call 415-557-4277 for more information.

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Saturday, July 10th: Afternoon Lecture by John Sexton in Carmel, California

In conjunction with his retrospective exhibition “A Photographer’s Journey” at the Center for Photographic Art in Carmel, Califorinia,  JOHN SEXTON will present a lecure on Saturday, July 10th at 2:00 at the Carmel Women’s Club (directly across the street from the CPA in the Sunset Center).

From the announcement mailer:

“John will present an educational and entertaining audio-visual lecture, featuring both new and well-known images.  The presentation will also include images and anecdotes from his six-year working relationship with Ansel Adams.”

Following the lecture, John will be signing copies of his books RECOLLECTIONS and PLACES OF POWER.

I first met John in 1980 when I joined the staff of The Friends of Photography and John was working for our board Chair, Ansel Adams.  John played a crucial role in the Ansel Adams Workshop, a tireless instructor with boundless energy.  A gifted photographer and teacher, John went on to launch his own workshop programs, sharing his passion for the craft and aesthetics of our medium.   2010 marks the twentieth year of the John Sexton Photography Workshops.  Congratulations, John!

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