Archive for September 27, 2008

“Women in Photography” lecture at Aperture in NYC on September 30th; celebrates new WIP online showcase for women artists

Women In Photography
Spotlight Discussion

Tuesday, September 30, 2008
6:30 p.m.

Aperture Gallery
547 West 27th Street, 4th Floor
New York, New York
(212) 505-5555

From the event website:

“Women In Photography is a new online venue showcasing work by contemporary female photographers and providing a vital platform for support and the exchange of ideas. Join WIP co-founders Cara Philips and Amy Elkins, alongside noted contributing photographers Robin Schwartz and Elinor Carucci, for lively discussion of their work and what it means to be a woman in photography today. Moderated by Laurel Ptak, Aperture’s Educational Programs Manager.

ABOUT “WOMEN IN PHOTOGRAPHY” ONLINE SHOWCASE:

There are more women working in the contemporary photo world then ever before. Their methods, choice of subject matter, visual language, and processes run the gamut of artistic possibility. What unites them is their passion and the effort they devote to creating extraordinary bodies of work. Women in Photography is a showcase for this work. It is also a resource for photographers, editors, curators, gallery owners, and viewers alike to discover and enjoy the work of female artists. By mixing the work of emerging photographers with artists that have achieved high levels of success within fine art and commercial worlds, the project is designed to open a visual dialogue and create a venue to share work, support, and ideas.

Women in Photography is co-curated by amy elkins and cara phillips.

It will present a solo exhibition of work from select photographers every other Tuesday of the month.

We accept submissions on a rolling basis. If you are interested, please submit five (5) jpegs and a short statement from a body of work to: submit@wipnyc.org.

Please submit images @ 72 dpi, 550 pixels wide, sRGB, JPG format. Rename your images “myname_title.jpg, etc.” No zip files, please.

Women in Photography is sponsored by humble arts foundation, and designed by made by brown.”

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Susan Meiselas exhibition at ICP, lecture at Aperture October 8th and NEW BOOKS

The extraordinary work of Susan Meiselas is being celebrated this fall with an exhibition at ICP which has an accompanying publication, the re-release of her important work in Nicaraugua during the revolution and a public lecture at Aperture. Susan is, for me, is an artist who shows demonstrates responsibility towards her subjects; her work on their behalf does not end when the picture is made. I urge you to learn more about her work and attend the upcoming discussion at Aperture to hear her words on her intentions and commitments.

EXHIBITION:

The exhibition “Susan Meiselas: In History” has opened at ICP in midtown Manhattan; it will remain on view until through January 4, 2009. There is an accompanying catalogue which features an extensive interview with Meiselas with writings by Meiselas, Kristen Lubben (Author), Caroline Brothers (Contributor), Allan Sekula (Contributor) and David Levi Strauss (Contributor).

From the ICP website:

“Since the 1970s, questions of ethics raised by documentary practice have been central to debates in photography. Perhaps no other photographer has so closely and consistently represented and participated in these debates than Susan Meiselas. An American photographer best known for her work covering the political upheavals in Central America in the 1970s and ’80s, Meiselas’s process has evolved in radical and challenging ways as she has grappled with pivotal questions about her relationship to her subjects, the use and circulation of her images in the media, and the relationship of images to history and memory. Her insistent engagement with these concerns has positioned her as a leading voice in the debate on contemporary documentary practice.”

LECTURE:

Aperture is hosting an event on October 8th in conjunction with the republication of Meiselas’ NICARAGUA: June 1978 – July 1979. From the event website:

Susan Meiselas and Alfredo Jaar
In Conversation

Wednesday, October 08, 2008
6:30 p.m.

Aperture Gallery
547 West 27th Street, 4th floor
New York, New York
(212) 505-5555

“Join Aperture for a special evening of conversation between photojournalist Susan Meiselas and artist Alfredo Jaar. Meiselas joined Magnum Photos in 1976 and is renowned for her coverage of the insurrection in Nicaragua and her widely-published documentation of human rights issues in Latin America. Jaar emigrated from Chile at the height of Pinochet’s military dictatorship in 1981. His installations, photographs, films, and community-based projects bear powerful witness to military con­flicts, imbalances of power, and political corruption.”

REPRINTED PUBLICATIONS:

From the BOOK SYNOPSIS on Aperture’s website:

“Originally published in 1981, Susan Meiselas’s Nicaragua is a contemporary classic—a seminal contribution to the literature of concerned photojournalism. John Berger praised the work for its ability to “take us right inside a revolutionary moment…Yet unlike most photographs of such material, these refuse all the rhetoric normally associated with such pictures: the rhetoric of violence, revolutionary heroism, and the glorification of misery.” This new Aperture edition is published on the thirtieth anniversary of the popular insurrection.

Nicaragua forms an extraordinary narrative of a nation in turmoil. Starting with a powerful and chilling evocation of the Somoza regime during its decline in the late 1970s, the images trace the evolution of the popular resistance that led to the insurrection, culminating with the triumph of the Sandinista revolution in 1979. The 2008 edition includes Pictures from a Revolution, a DVD in which Meiselas returns to the scenes she originally photographed, tracking down the subjects and interviewing them about the reality of post-revolution Nicaragua. The DVD booklet features a new interview with Meiselas in which she discusses the history of the project. This book is co-published with Aperture and the International Center of Photography, New York.”

Lastly, the extraordinary KURDISTAN: IN THE SHADOW OF HISTORY by Susan Meiselas has been brought back into print this year from the University of Chicago Press. If you don’t know about this project, visit the website www.akakurdistan.org. This project is yet another example of Susan’s commitment to her subjects and their stories.

From the University of Chicago Press’ website:

“Kurdistan was erased from world maps after World War I, when the victorious powers carved up the Middle East, leaving the Kurds without a homeland. Today the Kurds, who live on land that straddles the borders of Turkey, Iran, Iraq, and Syria, are by far the largest ethnic group in the world without a state.
Renowned photographer Susan Meiselas entered northern Iraq after the 1991 Gulf War to record the effects of Saddam Hussein’s campaigns against Iraq’s Kurdish population. She joined Human Rights Watch in documenting the destruction of Kurdish villages (some of which Hussein had attacked with chemical weapons in 1988) and the uncovering of mass graves. Moved by her experiences there, Meiselas began work on a visual history of the Kurds. The result, Kurdistan: In the Shadow of History, gives form to the collective memory of the Kurds and creates from scattered fragments a vital national archive.

In addition to Meiselas’s own photographs, Kurdistan presents images and accounts by colonial administrators, anthropologists, missionaries, soldiers, journalists, and others who have traveled to Kurdistan over the last century, and, not to forget, by Kurds themselves. The book’s pictures, personal memoirs, government reports, letters, advertisements, and maps provide multiple layers of representation, juxtaposing different orders of historiographical evidence and memories, thus allowing the reader to discover voices of the Kurds that contest Western notions of them. In its layering of narratives—both textual and photographic—Kurdistan breaks new ground, expanding our understanding of how images can be used as a medium for historical and cultural representation.

A crucial repository of memory for the Kurdish community both in exile and at home, this new edition appears at a time when the world’s attention has once again been drawn to the lands of this little-understood but historically consequential people.”

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