From Fotovision in Berkeley:
“Show us your best shot(s). We want to showcase your best photographs of summer 2007. Enter as many images as you like. There are no categories, but you might choose to be inspired by ideas like “the true essence of summer”, or “best travel story”. The themes and creative interpretations are up to you. This is a chance to enter your best photographs of the summer and promote your work around the globe to Fotovision members & subscribers including collectors, photographers, curators and more!
All entries should be captured from June, 2007-September, 2007 and can be color or black and white images. Start shooting now, and show us your summer hot shots!
First, second, third place and honorable mention winners from this contest will be featured on the Fotovision website and receive prizes from the sponsors Livebooks|edu and Think Tank Photo.
The Fotovision online photography contest is open to members and non members of Fotovision. Members enter at a discount. To join Fotovision as a member visit http://www.fotovision.org. Anyone can join!
The jurors are Ken Light, Erika Gentry and Alison Wright
Alison Wright, a documentary photographer based in San Francisco, has spent a career capturing the universal spirit of humanity through her photographs. Influenced by her years of living among the Buddhist cultures of Asia, her work documents the traditions and changes of endangered cultures and people in remote areas around the world. Her photographs have been published in National Geographic publications, National Geographic Traveler, National Geographic Adventure, Natural History, Islands, Outside, Geo, Time, Forbes, Oprah, The New York Times, The San Francisco Examiner Magazine, The San Francisco Chronicle and dozens of other periodicals.
Her photography books include “Faces of Hope; Children of a Changing World,” “A Simple Monk, Writings on the Dalai Lama,” and “The Spirit of Tibet; Portrait of a Culture in Exile.”
Alison’s photos have been exhibited world-wide, including the Smithsonian Institution, The American Museum of Natural History, The Avery Fisher Hall and Telluride Film Festival.In 2002 Alison was awarded the Lowell Thomas Travel Journalism Award for her Outside magazine story recounting her astonishing survival and recuperation after a devastating bus accident in Laos.
Alison is the recipient of the 1993 Dorothea Lange Award in Documentary Photography for her photographs of child labor in Asia. She is a three time Bill Muster portfolio award winner and has received top awards for her writing and photography through the Society of American Travel Writers and the North American Travel Journalists Association.
Alison received her Undergraduate Degree in Photojournalism from Syracuse University in New York and Masters Degree in Visual Anthropology from the University of California at Berkeley, California.
Alison also writes a travelogue for the Discovery Channel which regularly features pictures and stories from her travels; click here to view The Discovery Chanel Website Photo Journeys.
Ken Light is a social documentary photographer whose work has appeared in books, magazines and exhibitions. His most recent book Coal Hollow (University of California Press) was published in 2005.
His last photo book, Texas Death Row (1997) is a look at life inside the death house as the condemned wait to be executed in Americas largest and most active Death Row. This work was published in Newsweek Magazine (6 pgs), Paris Match (France — 8 pgs), Tempo (Germany — 6 pgs), London Telegraph, Nieuwe Revu (Amsterdam — 6 pgs) and in Japan, Korea, Holland, Denmark, Mexico, Spain, Italy as well as on Newsweek Online, and MSNBC.com Online.
He is also the author of Delta Time published in 1995 by the Smithsonian Institution Press. This book looks at rural Black poverty, cotton and the southern landscape. Delta Time has 104 photographs and an essay by legendary civil rights organizer Bob Moses. This work has been published in VSD in Paris, Granta, the London Independent, Spanish Elle with Walker Evans and in the Academy Award nominated documentary film Freedom on My Mind.
His other books are To The Promised Land (Aperture 1988), With These Hands (Pilgrim Press 1986), and In the Fields (Harvest Press 1982), which examine the lives of farm workers and their journey from Mexico illegally to the United States.
A text, Witness In Our Time: The Lives of Social Documentary Photographers was published by the Smithsonian Institution Press in October 2000. It is in its third printing and has been adapted by numerous University and College documentary programs as well as being translated and published in Turkey.
He has exhibited internationally in over 175 one-person and group shows, including one person shows at the International Center for Photography, S.E. Museum of Photography and Smith College. His work is part of numerous collections including the San Francisco MOMA, the Houston Museum of Fine Arts, the International Center of Photography and the American Museum of Art at the Smithsonian. He has received two National Endowment for the Arts Photographers Fellowships, the Dorothea Lange Fellowship and a fellowship from the Erna and Victor Hasselblad Foundation as well as a grant from the Soros Open Society Institute. Mr. Light’s numerous other awards include the Media Alliance Meritorious Achievement award in photography, the Thomas More Storke International Journalism Award and Judges Special Recognition (Cannon Photo Essayist) in the 1991 University of Missouri/NPPA Pictures of the Year competition.
He is an adjunct Professor and curator of the Center for Photography at the Graduate School of Journalism at the University of California Berkeley, and has taught workshops at the ICP in New York City, The Missouri Photo Workshop and in the School for Photographic Studies in Prague and Baltimore. He is a founder of the International Fund for Documentary Photography which awarded grants to photographers worldwide, as well as founder of Fotovision. His freelance work has been represented by J.B. Pictures, SABA Press Photos in New York. and Contact Press Images in New York.
Erika Gentry owns and operates Time Flies Productions, an intimate, hands-on digital imaging, photography and print studio serving clients throughout the Bay Area. An early advocate of the creative digital domain, she has been teaching and presenting Photoshop, photography and multimedia at the institutional, organizational and individual levels nationwide since 1996.
She has been an independent project director and digital consultant for corporate clients such as Apple, Kodak, Business 2.0 Magazine and industry-celebrated photography books: John Sperling’s politically divisive The Great Divide: Retro vs. Metro (2004) and most recently renowned documentary photographer Colin Finlay’s Testify (2006).
Gentry completed her master of fine arts degree in The School of Imaging Arts and Sciences at New York’s Rochester Institute of Technology. Her personal photographic projects explore issues of identity as expressed through the use of technology. By collaborating with members of the community, she creates installation portraiture in an interpretive and docunarrative format using stills, video and sound. She exhibits her art work nationally.
Livebooks Edu Deluxe website (www.livebooksedu.com) Photographs will be featured in the online winner’s gallery at http://www.fotovision.org
with a link to your personal website.
Second Prize Think Tank Pro Modulus Set & Rebecca Noriss Webb’s signed book “The Glass Between Us” . Photographs will be featured in the online winner’s gallery at http://www.fotovision.org with a link to your personal website.
Think Tank Pro Modulus Set. Photographs will be featured in the online winner’s gallery at http://www.fotovision.org with a link to your personal website.
Photographs will be featured in the online winner’s gallery at http://www.fotovision.org.
Basic digital editing is permitted. This is defined as overall adjustments to help refine your captured image. Basic editing allows you to correct basic exposure, contrast, color, etc. No spot editing or selective tools are allowed, with the sole exception of cloning out sensor dust or hot pixels.
Winners and disqualifications are determined by majority vote of the Fotovision Board of Directors and Guest Juror, Alison Wright, Documentary Photographer and Author.
1. ENTRY REQUIREMENTS
DEADLINES: Closing deadline is September 14, 2007, midnight.
ENTRY FEES: Members $20.00 each for 1-3 images. Members will recieve a discount code via email.
Non members $30.00 each for 1-3 images. Join as a member first to receive a contest entry discount code.
You may enter as many times as you desire.
* Have made the image(s) between 6/1/2007-9/13/2007.
* Create your entry from a single capture (no layered collage).
* Comply with the Entry Requirements.
* Follow Image Submission Guidelines
* Submit as many entries as you like, 3 images per entry fee.
* Use any feature of your camera while photographing your entry, with the exception of combining multiple captures in-camera.
* Correct contrast and color, crop, rotate and resize your entry.
* Use RAW conversion software as long as the changes are made globally to a single file on one layer and do not create new features or effects in the process.
YOU MAY NOT:
* Spot-edit your entry, except to remove sensor dust or hot pixels.
* Use ANY editing tool to create new image area, objects or features (such as lens flare or motion) that didn’t already exist in your original capture.
* Add graphics, clip art, computer-rendered images or parts of other photographs to your entry or its border during editing.
* Add text to your entry or its border during editing. This includes copyright statements.
* Distort or stretch your image in any way.
Copyright and ownership of photograph(s) remains with the photographer at all times. All entrants agree to grant The Fotovision Online Photography Contest and its owner Fotovision (www.fotovision.org) permission to use submitted work in any of our electronic media, printed materials, or advertising. The use is granted for promotional purposes only, without further permission or remuneration. All published images will be credited with photographer’s name. Entrants also agree to allow their images to be reproduced in newspapers and magazines (printed and electronic) solely for the purpose of promoting the work, photographer, and contest.
2. SEND YOUR IMAGES
* FILE NAME: lastname_firstname.jpg
* FORMAT: JPEG (.jpg) file at high or maximum quality.
* SIZE: 1024 pixels longest side (no larger), 300k max each.
* RESOLUTION: 72ppi (72 pixels per inch)
* NO embedded watermarks or borders. (this includes copyright)
* Captured between 6/2007-9/2007
* Email a maximum of three images at a time to: email@example.com (images may be zipped or stuffed or sent individually)
* Await confirmation of entry receipt.
3. PAY YOUR ENTRY FEE PAY ONLINE:
Enter as many times as you like.
If you have any questions, you should contact firstname.lastname@example.org